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Vincenzo Mastrangelo: Polvere in Cantina

Vincenzo MASTRANGELO, born 1957 in Maratea, Italy. Photographer, painter and musician. He learnt photographic craft and had now a big collection of fine cameras. He is dealing quite early with ethnic and cultural investigations in his surroundings. After stays in France and in former Yugoslavia he came in 1982 to the Wall City Berlin. Works continually more and more as critical photographyer and shot the moment at the right time. Since 2005 he lives and works with his family in Campania BZW Cilento, Patrimonium UNESCO/South Italy.

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2021  POLVERE IN CANTINA - NEW | on youtube channel
2020  LA COMUNE DI BERLINO | cave canem media productions
2013  DEAD PHOENIX | Galleria Civica Vicente Gerbasi, Vibonati/Italy
2012  OLTRE IL MURO — ACROSS THE WALL | Street Art Festival, Sapri/Italy
           GIOVANNI IANTORNO AWARD | Bronze Award design, Sapri/Italy
           LOWLANDS + CONQUESTS | Gallery Open Studio, Villach/Austria
2011  SOUND FOR IRA SCHNEIDER'S VIDEO
           POLVERE IN CANTINA + ON GOING MANIFESTO | Spettro records, Italy
           POLVERE IN CANTINA | Live-Electronic-Music, Sapri/Italy
           POLVERE IN CANTINA LOCATION | Photographs by Alba Frenzel
2009  FIORI DI MARE | Arenile Reload, Neapel
2008  EROTICART | Groupshow, Palazzo Vecchio, Vibonati/Italy
           KAPSULA with Andrea Cimmino | Gallery Klaus Lea, Munich
2007  IL CILENTO with A. Jannotti | Palazzo Vecchio, Vibonati/Italy
2006  PERCORSO with A. Cimmino and N. E. Woytasik | Vibonati/Italy
2005  IL CILENTO with Antonio Jannotti | Villa Communale, Sapri/Italy
2004  KINGS & QUEENS OF SHOWS | Gallery ZeitZone, Berlin
2003  NO!-ON | Gallery Berliner Kunstprojekt, Berlin

NO!art involved Artists: ARMENTO + ARONOVICI + BAJ + BARATELLA + BECHER + BROWN + BRUNET + BRUS + CHORBADZHIEV + D'ARCANGELO + DAYEN + DE RUVO + EHM-MARKS + ERRO + FABRICIUS + FISHER + GATEWOOD + GEORGES + GERZ + GILLESPIE + GILMAN + GOLDMAN + GOLUB + GOODMAN + HALLMANN + HASS + HJULER + KAPROW + KIRVES + KUSAMA + KUZMINSKY + LEBEL + LEVITT + LONG + LST + LURIE + MASTRANGELO + MEAD + MESECK + PATTERSON + PICARD + PINCHEVSKY + RAMSAUER + RANCILLAC + ROUSSEL + SALLES + SALMON + SCHEIBNER + SCHLEINSTEIN + STAHLBERG + STUART + TAMBELLINI + TOBOCMAN + TOCHE + TSUCHIYA + VOSTELL + WALL + WOLF + WOYTASIK + ZOWNIR

NO!art has continued way beyond 1964 and also prior to 1958. The "cutting-off" date 1964, as espoused by the art historian is entirely artificial. Such cutting-off dates are common to art historians, done for cataloguing purposes, and what is more, for accreditation of monetary value in the art market. The cutting-off dates also have a devastating effect on the production of artists, who are, by those means, being convinced that what they produce after a cutting-off date is secondary in importance, and do not belong any longer to the "new times". Yet the art market hated it, for practical reasons of creating confusion about monetary value. That is the main and real reason for art historians and critics insisting on this untrue measure. - Boris Lurie, 2003.

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